Dusty Springfield - Dusty Sings Soul (Uk) vinyl record cover

1

Can I Get a Witness

2

Long After Tonight Is All Over

3

Won't Be Long

4

Bring Him Back

5

All Cried Out

6

Take Another Little Piece of My Heart

7

Do Re Mi

8

Welcome Home

9

Some of Your Lovin'

10

That's How Heartaches Are Made

11

It Was Easier to Hurt Him

12

Ain't No Sun Since You've Been Gone

13

I Just Don't Know What to Do with Myself

14

Every Ounce of Strength

15

I Wanna Make You Happy

16

Nothing

17

Oh No Not My Baby

18

I Had a Talk with My Man

19

I Can't Wait Until I See My Baby's Face

20

Every Day I Have to Cry

21

Love Power

22

Don't Let Me Lose This Dream

23

Am I the Same Girl

24

What's It Gonna Be


Item UPC: 029667105224

Date First Available:

Label: ACE RECORDS UK

Dusty Springfield

Dusty Sings Soul (Uk)

CD


ABOUT THE ALBUM


From the very start of her solo career, it was Dusty Springfield's intention to make records in the style of the black American artists that she admired, both professionally and personally. She recorded her version of a soul song at her first solo session and was still recording soul songs on all of her albums, singles and EPs throughout the 60s and into the 70s. "Dusty Sings Soul" is a long overdue and carefully curated collection of recordings from Dusty's 60s singles and albums, designed to demonstrate that she was not only the UK's finest female singer but also it's finest soul singer of her era and, for many, of all time. There is no shortage of Dusty compilations out there, but this is the first one to exclusively concentrate on this particular side of her far-reaching work. These are not 'covers', in that Dusty never directly covered any record until the original had run it's course. Dusty simply recorded songs that she loved herself, and that she hoped her fans would love. Dusty was a big fan of many of the artists whose songs she recorded, and helped to raise their profile in the UK through her interpretations of their work. For soul fans who love Dusty but who only want to hear her singing soul, rather than the show tunes and/or pop ballads that she was equally at home with, this will be every bit as essential as her "Dusty In Memphis" album and the records she made in Philadelphia at the very end of the 60s with Gamble & Huff. The booklet is generously illustrated and copiously annotated.

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