1
Sinfonia Melodica In C Major, Twv 50:2: I. Allegro Assai
2
Sinfonia Melodica In C Major, Twv 50:2: II. Sarabande
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Sinfonia Melodica In C Major, Twv 50:2: III. Bourrée
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Sinfonia Melodica In C Major, Twv 50:2: IV. Menuet En Rondeau
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Sinfonia Melodica In C Major, Twv 50:2: V. Loure
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Sinfonia Melodica In C Major, Twv 50:2: VI. Chaconnette
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Sinfonia Melodica In C Major, Twv 50:2: VII. Gigue En Canarie
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Concerto In E-Flat Major, Twv 54:Es1: I. Maestoso
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Concerto In E-Flat Major, Twv 54:Es1: II. Allegro
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Concerto In E-Flat Major, Twv 54:Es1: III. Grave
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Concerto In E-Flat Major, Twv 54:Es1: IV. Vivace
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Concerto In B-Flat Major, Twv 44:43: I. Allegro
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Concerto In B-Flat Major, Twv 44:43: II. Largo
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Concerto In B-Flat Major, Twv 44:43: III. Allegro
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Sonata In E Minor, Twv 50:4: I. Gravement
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Sonata In E Minor, Twv 50:4: II. Allabreve
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Sonata In E Minor, Twv 50:4: III. Air
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Sonata In E Minor, Twv 50:4: IV. Tendrement
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Sonata In E Minor, Twv 50:4: V. Gay
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Concerto In A Major, Twv 53:A2: I. Largo
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Concerto In A Major, Twv 53:A2: II. Allegro
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Concerto In A Major, Twv 53:A2: III. Gracioso
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Concerto In A Major, Twv 53:A2: IV. Allegro
Item UPC: 761203523924
Date First Available:
Label: CPO
Telemann / Stagione Frankfurt / Schneider
Grand Concertos 5
CD
ABOUT THE ALBUM
Following our spectacular, standard-setting complete recording of Telemann's wind concertos on eight albums, we are now concluding our second significant Telemann edition with it's Vol. 6, which features his concertos for mixed ensemble and transports us to the very heart (and soul) of his oeuvre. Here his oft-cited "mixed style" is fully revealed in all it's colorfulness. Klassik. com wrote, "Performed with the greatest variety and magic. A new Telemann series promising to bring superb musical high points and true moments of joy. " And the sixth release again offers surprises and shows "that Telemann's oeuvre is too multifaceted, too stylistically diversified, too rich in various textures, and too complex in it's blend of various generic, stylistic, and formal traditions for one to be able to sum up his concerto thought in a couple of short statements. The present complete recording documents for the first time the absolutely inexhaustible wealth of his powers of design in the instrumental concerto in all the transmitted playing styles and facets; if this recording is able to serve not only as an introduction but also and more so as a source of sensuous attraction to the beauties of this absolutely unique sound world, then it's highest goal will have been met" (Prof. Dr. Wolfgang Hirschmann, our booklet author).
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