Soul Jazz Records Presents - Studio One Rocksteady 2 (Gate) vinyl record cover

1

Hortense Ellis - Sitting in the Park

2

The Termites - Rub Up Push Up

3

Carlton and the Shoes - Never Let Go

4

Alton Ellis - I'm Still in Love with You

5

Owen Gray - Give Me a Little Sign

6

The Bassies - Big Mistake

7

Hortense and Alton Ellis - Breaking Up Is Hard to Do

8

Slim Smith - Born to Love

9

Cannon and the Soul Vendors - Bad Treatment 1

10

John Holt - Strange Things 1

11

The Actions - Giddy Up 1

12

Larry Marshall - It Makes Me Feel 1

13

The Paragons - Change Your Style 1

14

Jerry Jones - Trying Times 1

15

The Heptones - I Shall Be Released 1

16

The Gaylads - the Soul Beat 1

17

Delroy Wilson - Run Run 1

18

The Soul Two - Puppy Love 1

19

Delroy Wilson - Riding for a Fall


Item UPC: 5026328003672

Date First Available:

Label: SOUL JAZZ

Soul Jazz Records Presents

Studio One Rocksteady 2 (Gate)

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ABOUT THE ALBUM


Soul Jazz Records' new journey into the mighty vaults of Clement Dodd's Studio One steps once more into the fertile musical environment of Jamaican music in the late 1960s and early 1970s, from the sweet harmony vocals of seminal 1960s Rocksteady right up to the nascent birth of Reggae and Roots music at the start of the 1970s. - While Ska at the start of the 1960s had taken American rhythm and blues as it's main influence, Rocksteady focused on the emergence of American Soul music - with Jamaican vocal harmony groups such as The Gaylads, John Holt & The Paragons, Carlton & The Shoes showing a particular fascination with the close harmonies of Curtis Mayfield and The Impressions and other US soul acts. Here The Heptones even feature with a cover of Bob Dylan's 'I Shall Be Released'. - The influence of Soul music on Jamaican rock steady and reggae is almost palpable, so much so that one wonders how much more successful singers like Delroy Wilson, Alton Ellis, Slim Smith and John Holt would have been had they been born in Chicago, Detroit or Memphis. Artists such as Alton Ellis, Delroy Wilson and Owen Gray defined the era - a slowed down beat as Jamaican political and social heat slowly increased as the 1960s progressed into the start of the 1970s - and the music evolved further from rock steady into roots reggae.

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