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Pagliacci~Prologo: Introduzione orchestrale
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Pagliacci~Prologo: Si può? Si può?
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Pagliacci~Atto primo: Son qua! Son qua! Ritornano
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Pagliacci~Atto primo: Un grande spettacolo a ventitré ore
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Pagliacci~Atto primo: Un tal gioco, credetemi
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Pagliacci~Atto primo: I zampognari!
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Pagliacci~Atto primo: Qual fiamma avea nel guardo!
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Pagliacci~Atto primo: Stridono lassù
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Pagliacci~Atto primo: Sei tu? Credea che te ne tossi andato!
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Pagliacci~Atto primo: Nedda! Silvio! A quest'ora
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Pagliacci~Atto primo: E allor perché, di', tu m'hai stregato
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Pagliacci~Atto primo: Ah!... Fuggi!... Aiutalo... Signor!
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Pagliacci~Atto primo: Recitar! Mentre preso dal delirio - Vesti la giubba
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Pagliacci~Atto primo: Intermezzo
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Pagliacci~Atto secondo: Ohè! ... Ohèl Presto, affrettiamoci
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Pagliacci~La commedia: Pagliaccio, mio marito, a tarda notte sol ritornerÃ
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Pagliacci~La commedia: Arlecchin! - Colombina! Alfin s'arrenda
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Pagliacci~La commedia: A stanotte ... e per sempre lo sarò tua!
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Pagliacci~La commedia: No! Pagliaccio non son
Item UPC: 4011790240022
Date First Available:
Label: ORFEO
Domingo / Cotrubas
Pagliacci
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ABOUT THE ALBUM
This is re-issue of the previous bestseller C756081 (4011790756127).Jean-Pierre Ponnelle's 1985 production of "Pagliacci" (and "Cavalleria rusticana") was one of the French director's last assignments at the Vienna State Opera before his untimely death 1988. The sensation of that June evening in 1985 was, however, Placido Domingo's consummate performance in Leoncavallos Pagliacci. He was more than an expressive singer with an incomparable tenor voice, he was also a truly great actor able to convey the whole world of his emotions to every member of the audience. Domingo's ability to bring out utter hopelessness transformed Leoncavallo's hackneyed opera into a highly individual tragedy from whose sway no one could escape. The dramatic intensity of his performance fired the other singers, too: thanks not least to her extraordinary vocal skills, Ileana Cotrubas was able to make Nedda's easygoing attitude as credible as her genuine feeling for Silvio and her struggle to safeguard the new love that had entered into her life; Wolfgang Schone gave Silvio an unusually clear-cut character and Heinz Zednik's presence in the cast likewise gave Peppe a whole new dimension. Finally, the French baritone Matteo Manuguerra was able to display thanks to his great and powerful voice a "terrifyingly evil" Tonio.By the end of the evening the public and the critics "were genuinely gripped"





