
1
Cage: All Sides of the Small Stone for Erik Satie and (Secretly Given to Jim Tenney As a Koan)
2
Satie: Gnossienne No1
3
Cage: Prelude for Meditation
4
Satie: Gymnopédie No1
5
Excerpt, Satie: Six Gnossiennes
6
No2, Avec Étonnement
7
No3, Lent
8
Cage: A Room
9
Cage: In a Landscape
10
Satie: Rêverie de L'enfance de Pantagruel
11
Satie: Véritables Préludes Flasques (3), Pour Un Chien
12
No1, Sévère Réprimande
13
No2, Seul A la Maison
14
No3, on Joue
15
Satie: Gymnopédie No2
16
Satie: Sports Et Divertissements: No9, Le Bain de Mer
17
Satie: Gnossienne No4
18
Satie: Sports Et Divertissements: No2, la Balançoire
19
Cage: Swinging
20
Satie: Gymnopédie No3
21
Satie: Gnossienne No5
22
Satie: Nocturne No2 'Simplement'
23
Satie: Sports Et Divertissements: No17, Le Tango Perpétuel
24
Cage: Perpetual Tango
25
Satie: Gnossienne No6
26
Satie: Sarabande No3
27
Satie: Songe-Creux
28
Satie: Prelude Du Premier Acte - la Vocation
29
Satie: Gnossienne No7
30
Tenney: 3 Pages in the Shape of a Pear
31
Cage: Dream
Item UPC: 5054197696442
Date First Available:
Label: WEA INT'L
Bertrand Chamayou
Letter(S) To Erik Satie (Can)
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ABOUT THE ALBUM
Erik Satie and John Cage are UFOs in the world of music, because they envisioned music through a completely different prism," says pianist Bertrand Chamayou. "They are pioneers in the sense that, for many people, they changed the very idea of what music must be." With his album Letter(s) to Erik Satie Chamayou pays tribute to two idiosyncratic, innovative and influential composers, one born in Normandy in 1866, the other in Los Angeles in 1912. There is a strong connection between them: Cage considered Satie a source of inspiration. Satie takes pride of place on the album with such pieces as the three Gymnopédies and the seven Gnossiennes, while Cage is represented by five pieces and a work attributed to him following it's rediscovery amongst the papers of his disciple James Tenney - whose musical homage to Satie also features in the programme. Chamayou recorded the album at the state-of-the-art Miraval Studios in Provence, which inspired him to take an experimental approach: "I thought we should do something a little different - and I thought of Erik Satie. This was an opportunity to get really intimate with the piano... Satie is really a special case, a strange musician unlike anyone else.
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